Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces  where she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces where  she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

This signature piece embodies Martin’s passion for creating sculptures that unite a beauty of form with power and drama, crafted from a lifelong study and fascination with the way in which the human body moves. 

Sculpted in his Carmarthenshire studio, every detail is effortlessly observed to create a sculpture that is both  visually stunning and engaging - drawing the observer to  consider the strength and balance of the human form. 

Over the years of me working with hot molten glass, I have found that I have wanted to create work that exaggerates its liquid qualities but in its solid state. I often use colour to assist in this exaggeration of its form to help show the movement of the glass and the flowing qualities of the glass.

I feel in contrast to this, by also cutting and highly polishing the surface it displays the cold qualities of the glass too. My main subject matter follows brain patterns and thought functions. The electricity of thought and the transference of information between pathways in the brain is what inspires me to create movement using molten glass. 

Margaret enjoys using different surface design techniques to create her multi component sculptures. Her 'Black Sea, Blue Harbour' scene is a construction of three blown forms with multiple layers of coloured glass that Margaret has sandblasted through the different layers.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

A beautiful limited edition piece epitomising the movement and balance that Martin seeks to achieve in his sculptures. The attention to detail that hallmarks his work is critical here in establishing the relationship between the two hares - creating the sense of drama and  tension typical of a Martin Duffy sculpture.                                                                

At nearly a metre tall, the hares would be suitable for a large indoor space or an outdoor setting, as illustrated. 

A beautiful limited edition piece epitomising the movement and balance that Martin seeks to achieve in his sculptures. The attention to detail that hallmarks his work is critical here in establishing the relationship between the two hares - creating the sense of drama and  tension typical of a Martin Duffy sculpture.                                                                

At nearly a metre tall, the hares would be suitable for a large indoor space or an outdoor setting, as illustrated.