Over the years of me working with hot molten glass, I have found that I have wanted to create work that exaggerates its liquid qualities but in its solid state. I often use colour to assist in this exaggeration of its form to help show the movement of the glass and the flowing qualities of the glass.

I feel in contrast to this, by also cutting and highly polishing the surface it displays the cold qualities of the glass too. My main subject matter follows brain patterns and thought functions. The electricity of thought and the transference of information between pathways in the brain is what inspires me to create movement using molten glass. 

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

Margaret enjoys using different surface design techniques to create her multi component sculptures. Her 'Black Sea, Blue Harbour' scene is a construction of three blown forms with multiple layers of coloured glass that Margaret has sandblasted through the different layers.

Margarets Creatures Collection has developed over 20+ years. From travelling around the UK, she has spent a lot of time watching wildlife in moors, mountains, estates and fields in their natural habitats. She has created 'Hare at Dusk' from observing many hares in an evening, bouncing across fields and with its nose in the air. 

Peacock in Purple is created by blowing a plate of glass in our hot glass studio. Once cooled, Margaret etches, engraves and sandblasts through the different layers of colour to create a relief of her Peacock design.

Ed Burke has been a master glassblower for over 30 years. He takes enjoyment in the technicallity of blowing glass. His tectonic series is creating glass that has a geometric view and is juxtapose to the natural properties of glass which is usually softer and rounder. 

The piece is One of a kind piece, although we are able to create a piece of a similar influence.