One of a series of small animal sculptures which epitomise Martin’s skill in crafting a narrative behind his work, drawing the observer into a story told through detailed research, observation and exquisite sculpting. 

Every detail is considered and purposeful, the craftsmanship key in creating a sense of peace and serenity.

Each piece is sculpted at his studio in Carmarthenshire before being finished/cast at a British foundry. 

Also available as a desk or interior piece.

Martin’s fascination with movement and balance is perfectly captured in this limited edition piece, showcasing his use of fine detail and surface texture to elicit a sense of strength, power and control. 

Cast in bronze, every detail is perfectly judged to enhance and amplify momentum within the sculpture, the quality of the casting creating shadow and light as on a moving body.

Each piece is individually sculpted by Martin in his Carmarthenshire studio before being cast in a British foundry to ensure that the detail and quality of the sculpting is retained through to the finished piece. 

This piece epitomises the simplicity of form and carved elements that are a signature of Wendy’s work and her fascination with geological formations.

Clay is carved to create the ‘natural’ folds on the surface of this piece, while the volcanic like texture is achieved by adding clay to a clay foundation and then carving into the clay surface. The natural look is amplified by adding several layers of glaze imbued with silicon carbide. 

In the reference to the ancient standing stones of our ancestors. Connecting us with the standing stone of the ancients Brown colour?

The works are high fired and are suitable for any interior or exterior spaces. 

The second in a series of bronze sculptures this piece immediately draws the observer into the world of the  sculpted - pausing to wonder what has caused her to stir, what dream is she waking from.

Sculpted in her Carmarthenshire studio, this tactile and sensuous piece epitomises her use of flowing lines and textures to create a sensuous piece celebrating the inherent beauty of the female form.

This beautiful abstract sculpture inspired by the texture and form of rockface strata, showcases Wendy’s use of silicon carbide to create a surface texture that is part of the form itself. The carved surface exaggerates the natural erosion of the rock while the addition of oxides to the glaze creates this unusual colouring.

Ed Burke has been a master glassblower for over 30 years. He takes enjoyment in the technicallity of blowing glass. His tectonic series is creating glass that has a geometric view and is juxtapose to the natural properties of glass which is usually softer and rounder. 

The piece is One of a kind piece, although we are able to create a piece of a similar influence.

Ed Burke has been a master glassblower for over 30 years. He takes enjoyment in the technicallity of blowing glass. His tectonic series is creating glass that has a geometric view and is juxtapose to the natural properties of glass which is usually softer and rounder. 

The piece is One of a kind piece, although we are able to create a piece of a similar influence.

This life-size sculpture of a yellow buttercup flower and leaf, resting in a small glass bottle is made from beeswax and paraffin wax.

The sculpture incorporates tinned copper wire, silk fabric, tissue paper, cotton thread, artists' pigments, acrylic paint and acrylic varnish to give added detail and authenticity and is mounted on a wooden base with traditional glass dome.

The sculpture is 13cm in height, 5cm wide and 4cm in depth. 

Part of the ‘Collector’ Series of numbered works, influenced by museum collections, it is typical of Annette Marie Townsend's intricate and exquisite craftsmanship and her expertise in the tradition of Victorian wax sculpture.

Please note that the piece should be displayed out of direct sunlight and away from direct sources of heat.

Photo credit: Dewi Tannatt Lloyd