The values of classical figurative sculpture epitomised in this beautifully observed piece which creates a sense of serenity and stillness.

The third in a series of bronze works, this piece showcases Angela’s fascination with the inherent sensuality of the female form, every detail inspired by her understanding of the naked form.

The graceful lines and elegance of expression in this  beautiful study is typical of Angela’s work as she explores the inherent beauty and sensuality of the female form. 

Drawing on classical figurative sculpture, Angela creates an exquisite study in bronze that invites the observer to consider and reflect.

This sculpture, with its flowing lines, captures the essence of something being held close, protected, a face hidden by the wind as it sweeps through her hair,  giving a sense of freedom to this classical pose.  

Cast in iron resin, this piece is heavily textured to create the sense of age, while the detail is typical of Angela’s fascination with the beauty of the female form, its seductive quality captured in the hands sculpted around the hips. 

As if hewn from the rock face, the colours in this carved slab echo those found in a shimmering rock face wet from a shower of rain. Copper and vanadium and titanium oxides create the unique combination of greens, pinks and browns in this unusual piece. Its natural organic look and feel is achieved through multiple glazing's containing silicon carbide, creating the   elemental, volcanic finish typical of a Wendy Lawrence sculpture.  

The works are high fired and are suitable for any interior or exterior spaces.

The second in a series of ‘waved’ sculptures, this piece is                                                   evocative of the rock formations and geological phenomenon found on the North Wales coast.

The signature blisters and bubbles are created during firing by the addition of silicon carbide to the glaze, enhancing the natural look and texture of the sculpture. 

The works are high fired and are suitable for any interior or exterior spaces.

A ceramic sculpture epitomising the simplicity of form and textural elements typical of Wendy Lawrence’s work.                  

The herringbone pattern is carved with hand tools to echo the striations found in rock and ancient stone edifices,  becoming part of the form as well as the surface of the piece. 

Inspired by ancient stone circles this piece generates a sense of solidity and continuity, connecting us with our heritage and spiritual landscape.

The works are high fired and are suitable for any interior or exterior spaces.

It’s ‘broken’ edge draws attention to the fragility of our natural world and calls us to consider the tension between decay and regeneration - and the inherent beauty which emerges from erosion.