A stunning necklace that pairs beautiful opalites with a dark silver ripple ‘wave’. The ‘wave’ is 110mm x 30mm.   

The sense of ancient rock and natural erosion that permeates this piece is typical of a Wendy Lawrence sculpture. She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

This beautiful necklace with Horan's signature ammonite feature is complemented by the opalites and frosted agate - perfect reminders of the coast by which it is inspired. 

The pendant is approximately 30mm x 25mm  

The intense greens within the surface texture amplify the multiple carvings of this unusual sculpture -one of a series of waved forms within this collection. 

  Inspired by the coastal rock formations near her home in North Wales, the piece bears the hallmarks of a Wendy Lawrence sculpture where the surface treatment becomes part of the form itself. 

The blisters and bubbles within the clay create a barnacled effect while the two tone colouring complements the simplicity of form. 

This stunning pendant is complemented with pearls, mother of pearl discs, frosted agate and navette chain. 

The pendant is approx 65mm x 45mm. 

Reminiscent of stone circles and historic obelisks, this piece reflects Wendy’s fascination with stone and its place in the landscape. The unusual colouring echoes the soft tones which emerge within stone as it reacts to the weathering of  time, the curving mark through the clay an additional focal point to draw the observer into the piece.

With her signature ripple effect, these beautiful 'wave'  earrings in dark silver with opalite decoration is typical of Horan's exquisite craftsmanship.

Currently available in the UK only.

The gnarled effect and deceptive simplicity of this free standing piece captures the essence of the ancient forest, the wave form connecting us with something raw and fundamental.                                    

The blistered surface is coloured with copper oxide to exaggerate the carving and gouging, creating a piece that is at once contemporary and ancient.