Inspired by the geology of the North Wales coastline, the unusual colours within this piece echo the tones of a rockface bleached by the elements over time - the coastal story continued through the coral like structure of the piece. 

The clay is hand built and gouged before being glazed multiple times. Between glazing's titanium oxide is brushed onto the surface to give the soft yellow and greys of this beautiful and unusual piece.

The stone is infused with copper during the firing process to enhance the natural colours and textures of rock found on the coastline of North Wales. The abstract form captures the ‘movement’ of rock and seaweed seen through the surface water of a rock pool, referencing the texture, colour and form of coral. 

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces  where she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

Black figurative sculpture

The second in a series of ‘waved’ sculptures, this piece is                                                   evocative of the rock formations and geological phenomenon found on the North Wales coast.

The signature blisters and bubbles are created during firing by the addition of silicon carbide to the glaze, enhancing the natural look and texture of the sculpture. 

The works are high fired and are suitable for any interior or exterior spaces.

The sense of ancient rock and natural erosion that permeates this piece is typical of a Wendy Lawrence sculpture. She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

The intense greens within the surface texture amplify the multiple carvings of this unusual sculpture -one of a series of waved forms within this collection. 

  Inspired by the coastal rock formations near her home in North Wales, the piece bears the hallmarks of a Wendy Lawrence sculpture where the surface treatment becomes part of the form itself. 

The blisters and bubbles within the clay create a barnacled effect while the two tone colouring complements the simplicity of form.