Etched and oxidised 0.9mm copper plate. 

Float mounted in a black box frame, without glass. 

Unique, hand made.

Care Instructions:

The surface of the copper plate can be dusted gently with a soft microfibre cloth

Shipping:

UK shipping is included in the price

For international shipping, please enquire by clicking Make an Enquiry on the Maker's home page 

In this naturalistic piece, Martin captures the stillness, poise and focus of the fox cub, showcasing his ability to create an energy and story behind the sculpture - that of the hunter and the hunted. 

Every detail is considered and beautifully observed - a hallmark of Martin’s work and his meticulous attention to detail in every stage of the sculpting process. 

This piece is only available on commission. Please click View Maker to make an enquiry. 

This collection of bottles is available in a range of colours but only on commission. Please click view Maker to make an enquiry. 

Inspired by the skeletons she finds on the beaches and woods near her home in North Wales, this unusual collection of glass sculptures are beautifully imagined by Verity Pulford. 

With their contrasting black and gold details and accents, the triptych marks a different direction from the usual colours to be found in Verity Pulford's work, while evocative of the nature which inspires her work.

A stunning interpretation of our curatorial theme for Collect 2025.  

Barely There (2) - a ceramic sculpture created from a hand woven metal mesh dipped in ceramic slip and fired at high temperature to create the distortions seen within the sculpture. 

With an almost ethereal quality, the sculptures are both beautiful, beguiling and thought provoking.

A response to the curatorial brief of Black and Gold, Barely There (2) is part of a continuing series of work where Petersen draws our attention, through art, to the fragility of our built environment and the experience of many as they live on the edge of safety in inadequate housing. 

Drawing attention to these issues is a fundamental element of Petersen's work, but in doing so she creates pieces of intricate detail and with the meticulous attention to detail and experimentation that is typical of this emerging and gifted ceramicist. 

These textile sculptures by Michelle Griffiths are created from Japanese toothpicks bound in a beautiful cream silk and tipped with gold varnish.

From a series of work entitled Cross Pollination, this tryptych was created for Collect 2025, to showcase Michelle Griffith's skill as a Shibori artist, where she pushes the boundaries of traditional Shibori techniques to create unique sculptures with an organic, subterranean quality.   

With the addition of a brooch pin, each sculpture can be transformed into a dramatic piece of wearable art. 

Reminiscent of stone circles and historic obelisks, this piece reflects Wendy’s fascination with stone and its place in the landscape. The unusual colouring echoes the soft tones which emerge within stone as it reacts to the weathering of  time, the curving mark through the clay an additional focal point to draw the observer into the piece.