This dramatic limited edition piece captures the  movement and balance typical of a Martin Duffy sculpture. 

The larger scale allows Martin to amplify the detail of his smaller pieces to recreate the tension, urgency and drama that lies behind this annual rite of passage.

A beautiful limited edition piece epitomising the movement and balance that Martin seeks to achieve in his sculptures. The attention to detail that hallmarks his work is critical here in establishing the relationship between the two hares - creating the sense of drama and  tension typical of a Martin Duffy sculpture.                                                                

At nearly a metre tall, the hares would be suitable for a large indoor space or an outdoor setting, as illustrated.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of small figurative pieces, this arching  form is typical of an Angela Farquharson sculpture where  she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. She uses a natural unglazed finish to enhance the sensuality of the piece and draw out the inherent beauty within the female form.

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces where  she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces  where she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.