This exquisitely observed study of a mouse in its natural habitat, showcases the meticulous attention to detail which characterises Martin’s work. 

One of a series of small animal sculptures, this piece demonstrates Martin’s skill in creating detailed, tactile pieces that invite the observer to touch as well as look.

One of a series of small animal sculptures which epitomise Martin’s skill in crafting a narrative behind his work, drawing the observer into a story told through detailed research, observation and exquisite sculpting. 

Every detail is considered and purposeful, the craftsmanship key in creating a sense of peace and serenity.

Each piece is sculpted at his studio in Carmarthenshire before being finished/cast at a British foundry. 

Also available as a desk or interior piece.

Peacock in Purple is created by blowing a plate of glass in our hot glass studio. Once cooled, Margaret etches, engraves and sandblasts through the different layers of colour to create a relief of her Peacock design.

Margarets Creatures Collection has developed over 20+ years. From travelling around the UK, she has spent a lot of time watching wildlife in moors, mountains, estates and fields in their natural habitats. She has created 'Hare at Dusk' from observing many hares in an evening, bouncing across fields and with its nose in the air. 

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture.  

Over the years of me working with hot molten glass, I have found that I have wanted to create work that exaggerates its liquid qualities but in its solid state. I often use colour to assist in this exaggeration of its form to help show the movement of the glass and the flowing qualities of the glass.

I feel in contrast to this, by also cutting and highly polishing the surface it displays the cold qualities of the glass too. My main subject matter follows brain patterns and thought functions. The electricity of thought and the transference of information between pathways in the brain is what inspires me to create movement using molten glass.