One of a series of small figurative pieces, this arching  form is typical of an Angela Farquharson sculpture where  she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. She uses a natural unglazed finish to enhance the sensuality of the piece and draw out the inherent beauty within the female form.

One of a series of small scale sculptures depicting the female form, this piece is characteristic of Angela Farquharson’s work and her interest in classical figurative sculpture. The textile ‘detail’ is inspired by the shapes made as fabric drapes and folds across the body, creating new interest and sense of sensuality, enhanced by the natural unglazed porcelain finish.

This small but exquisite study of a wren is typical of a Martin Duffy sculpture, showcasing his ability to create pieces that invite the observer to engage physically as well as visually with his work.

This exquisitely observed study of a mouse in its natural habitat, showcases the meticulous attention to detail which characterises Martin’s work. 

One of a series of small animal sculptures, this piece demonstrates Martin’s skill in creating detailed, tactile pieces that invite the observer to touch as well as look.

One of a series of small animal sculptures which epitomise Martin’s skill in crafting a narrative behind his work, drawing the observer into a story told through detailed research, observation and exquisite sculpting. 

Every detail is considered and purposeful, the craftsmanship key in creating a sense of peace and serenity.

Each piece is sculpted at his studio in Carmarthenshire before being finished/cast at a British foundry. 

Also available as a desk or interior piece.

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture.