The gnarled effect and deceptive simplicity of this free standing piece captures the essence of the ancient forest, the wave form connecting us with something raw and fundamental.                                    

The blistered surface is coloured with copper oxide to exaggerate the carving and gouging, creating a piece that is at once contemporary and ancient.

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture.  

One of a series of small animal sculptures which epitomise Martin’s skill in crafting a narrative behind his work, drawing the observer into a story told through detailed research, observation and exquisite sculpting. 

Every detail is considered and purposeful, the craftsmanship key in creating a sense of peace and serenity.

Each piece is sculpted at his studio in Carmarthenshire before being finished/cast at a British foundry. 

Also available as a desk or interior piece.

This exquisitely observed study of a mouse in its natural habitat, showcases the meticulous attention to detail which characterises Martin’s work. 

One of a series of small animal sculptures, this piece demonstrates Martin’s skill in creating detailed, tactile pieces that invite the observer to touch as well as look.