The sense of ancient rock and natural erosion that permeates this piece is typical of a Wendy Lawrence sculpture. She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

The sense of ancient rock and natural erosion that permeates this piece is typical of a Wendy Lawrence sculpture. She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture.  

One of a series of small animal sculptures which epitomise Martin’s skill in crafting a narrative behind his work, drawing the observer into a story told through detailed research, observation and exquisite sculpting. 

Every detail is considered and purposeful, the craftsmanship key in creating a sense of peace and serenity.

Each piece is sculpted at his studio in Carmarthenshire before being finished/cast at a British foundry. 

Also available as a desk or interior piece.

Peacock in Purple is created by blowing a plate of glass in our hot glass studio. Once cooled, Margaret etches, engraves and sandblasts through the different layers of colour to create a relief of her Peacock design.

Margarets Creatures Collection has developed over 20+ years. From travelling around the UK, she has spent a lot of time watching wildlife in moors, mountains, estates and fields in their natural habitats. She has created 'Hare at Dusk' from observing many hares in an evening, bouncing across fields and with its nose in the air. 

This exquisitely observed study of a mouse in its natural habitat, showcases the meticulous attention to detail which characterises Martin’s work. 

One of a series of small animal sculptures, this piece demonstrates Martin’s skill in creating detailed, tactile pieces that invite the observer to touch as well as look.

This small but exquisite study of a wren is typical of a Martin Duffy sculpture, showcasing his ability to create pieces that invite the observer to engage physically as well as visually with his work.

One of a series of small scale sculptures depicting the female form, this piece is characteristic of Angela Farquharson’s work and her interest in classical figurative sculpture. The textile ‘detail’ is inspired by the shapes made as fabric drapes and folds across the body, creating new interest and sense of sensuality, enhanced by the natural unglazed porcelain finish.