These throws are hand crafted by Patricia Lester using hand painted silk and viscose velvets created by Charles and Patricia. Each piece is picked especially for its uniqueness and individuality. Some of the fabrics have been silk screen printed as well using some of the many techniques developed by the Lester's making their artwork particularly unique and rare.

Never to be repeated, commissions are accepted to create exceptional pieces using colours to suit your colour schemes and design themes.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of sculptural works pairing antique flashed glass with weathered oak stumps retrieved from a Welsh hillside.  The fern, the birch and the bo all have strong spiritual meanings, and these pieces celebrate life and its vibrancy and the cyclicality of nature.  The glass is mouth-blown in France and Germany and has been acid-etched many times, in order to create the patterns and textures.  The glass has also been gilded, using silver and copper leaf applied by hand.  The oak is as found on the hillside but cleaned back.

One of a series of small figurative pieces, this arching  form is typical of an Angela Farquharson sculpture where  she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. She uses a natural unglazed finish to enhance the sensuality of the piece and draw out the inherent beauty within the female form.

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces where  she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces  where she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

One of a series of small scale sculptures depicting the female form, this piece is characteristic of Angela Farquharson’s work and her interest in classical figurative sculpture. The textile ‘detail’ is inspired by the shapes made as fabric drapes and folds across the body, creating new interest and sense of sensuality, enhanced by the natural unglazed porcelain finish.