Designed by Charles and Patricia Lester, this luxurious velvet scarf is typical of their nature inspired designs and their exquisite colour combinations.

One of a series of small figurative pieces, this arching form is typical of an Angela Farquharson sculpture where she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. 

This piece showcases Wendy’s fascination with erosion and its impact on geological formations. Hand building techniques are combined with carving to exaggerate the natural forms, creating a piece that is at once contemporary and ancient, using the natural texture of clay to connect the living with the past.

The works are high fired and are suitable for any interior or exterior spaces. 

Margaret enjoys using different surface design techniques to create her multi component sculptures. Her 'Black Sea, Blue Harbour' scene is a construction of three blown forms with multiple layers of coloured glass that Margaret has sandblasted through the different layers.

Etched and oxidised 0.9mm copper plate. 

Float mounted in a black box frame, without glass. 

Unique, hand made 

Care Instructions: 

The surface of the copper plate can be dusted gently with a soft microfibre cloth 

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This piece epitomises the simplicity of form and carved elements that are a signature of Wendy’s work and her fascination with geological formations.

Clay is carved to create the ‘natural’ folds on the surface of this piece, while the volcanic like texture is achieved by adding clay to a clay foundation and then carving into the clay surface. The natural look is amplified by adding several layers of glaze imbued with silicon carbide. 

In the reference to the ancient standing stones of our ancestors. Connecting us with the standing stone of the ancients Brown colour?

The works are high fired and are suitable for any interior or exterior spaces. 

A detailed study in clay, inspired by the heavy millstones crafted from ancient stone and etched by the milling of grain.

Made by using a range of hand building techniques, the clay is carved to create copper ribbons of clay from one focal point. Multiple layers of glaze are then added to amplify its authentic stone character. 

The works are high fired and are suitable for any interior or exterior spaces.

It’s ‘broken’ edge draws attention to the fragility of our natural world and calls us to consider the tension between decay and regeneration - and the inherent beauty which emerges from erosion.