Margaret enjoys using different surface design techniques to create her multi component sculptures. Her 'Black Sea, Blue Harbour' scene is a construction of three blown forms with multiple layers of coloured glass that Margaret has sandblasted through the different layers.

Etched and oxidised 0.9mm copper plate. 

Float mounted in a black box frame, without glass. 

Unique, hand made 

Care Instructions: 

The surface of the copper plate can be dusted gently with a soft microfibre cloth 

Shipping:

For UK shipping - Royal Mail Special Delivery is included in the price

For International Shipping, please contact using make an enquiry button  

Etched and oxidised 0.9mm copper plate. 

Float mounted in a black box frame, without glass. 

Unique, hand made

Care Instructions:

The surface of the copper plate can be dusted gently with a soft microfibre cloth 

Shipping:

UK shipping is included in the price 

For international shipping please enquire by clicking make an enquiry on Maker page 

Etched and oxidised 0.9mm copper plate. 

Float mounted in a black box frame, without glass. 

Unique, hand made.

Care Instructions:

The surface of the copper plate can be dusted gently with a soft microfibre cloth

Shipping:

UK shipping by Royal Mail Special Delivery included in price

For international shipping please enquire by clicking Make an Enquiry on Maker home page

This piece epitomises the simplicity of form and carved elements that are a signature of Wendy’s work and her fascination with geological formations.

Clay is carved to create the ‘natural’ folds on the surface of this piece, while the volcanic like texture is achieved by adding clay to a clay foundation and then carving into the clay surface. The natural look is amplified by adding several layers of glaze imbued with silicon carbide. 

In the reference to the ancient standing stones of our ancestors. Connecting us with the standing stone of the ancients Brown colour?

The works are high fired and are suitable for any interior or exterior spaces. 

A detailed study in clay, inspired by the heavy millstones crafted from ancient stone and etched by the milling of grain.

Made by using a range of hand building techniques, the clay is carved to create copper ribbons of clay from one focal point. Multiple layers of glaze are then added to amplify its authentic stone character. 

The works are high fired and are suitable for any interior or exterior spaces.

It’s ‘broken’ edge draws attention to the fragility of our natural world and calls us to consider the tension between decay and regeneration - and the inherent beauty which emerges from erosion.