Inspired by the geology of the North Wales coastline, the unusual colours within this piece echo the tones of a rockface bleached by the elements over time - the coastal story continued through the coral like structure of the piece. 

The clay is hand built and gouged before being glazed multiple times. Between glazing's titanium oxide is brushed onto the surface to give the soft yellow and greys of this beautiful and unusual piece.

This piece showcases Wendy’s fascination with erosion and its impact on geological formations. Hand building techniques are combined with carving to exaggerate the natural forms, creating a piece that is at once contemporary and ancient, using the natural texture of clay to connect the living with the past.

The works are high fired and are suitable for any interior or exterior spaces. 

Margaret enjoys using different surface design techniques to create her multi component sculptures. Her 'Black Sea, Blue Harbour' scene is a construction of three blown forms with multiple layers of coloured glass that Margaret has sandblasted through the different layers.

This piece epitomises the simplicity of form and carved elements that are a signature of Wendy’s work and her fascination with geological formations.

Clay is carved to create the ‘natural’ folds on the surface of this piece, while the volcanic like texture is achieved by adding clay to a clay foundation and then carving into the clay surface. The natural look is amplified by adding several layers of glaze imbued with silicon carbide. 

In the reference to the ancient standing stones of our ancestors. Connecting us with the standing stone of the ancients Brown colour?

The works are high fired and are suitable for any interior or exterior spaces. 

This stunning pendant is complemented with pearls, mother of pearl discs, frosted agate and navette chain. 

The pendant is approx 65mm x 45mm. 

A detailed study in clay, inspired by the heavy millstones crafted from ancient stone and etched by the milling of grain.

Made by using a range of hand building techniques, the clay is carved to create copper ribbons of clay from one focal point. Multiple layers of glaze are then added to amplify its authentic stone character. 

The works are high fired and are suitable for any interior or exterior spaces.

It’s ‘broken’ edge draws attention to the fragility of our natural world and calls us to consider the tension between decay and regeneration - and the inherent beauty which emerges from erosion.