A beautiful hallmarked cuff bangle showcasing Horan's signature ‘pleat’ effect. The internal diameter is 6.6cm. 

Part of a collection of jewellery featuring this unusual rippled effect.

A ‘hand woven’ sculpture shaped by the heat of the kiln to bring the viewer inside the built environment. 

Petersen creates these delicate structures by weaving a stainless steel or metal mesh which she then dips into ceramic slip. The sculptural distortions created by the intense heat of firing, create pieces that are at once unexpected, beguiling and uncomfortable - confronting us with the fragility of our constructed world and issues of living on the edge of safety through sculptures with a rare and delicate beauty. 

Created for Collect 2025, ‘All in Vain’ is one of an ongoing series of sculptures created by Petersen to highlight the inadequacies and inequalities of our current housing system. 

With the addition of black crystals and gold highlights to meet our curatorial theme of Black and Gold, she extends that conversation to denote the mould that creeps across the surface of inadequate housing, but adds gold to reflect the hope for change. 

This piece is no longer for sale but, if you would like to commission a similar piece, please enquire below. 

A ‘hand woven’ sculpture shaped by the heat of the kiln to bring the viewer inside the built environment. 

Petersen 'builds' the internal structure to her work by weaving a metal fabric which she then dips into ceramic slip - the sculptural distortions created within the kiln as the metal reacts to the intense heat of firing.  

Ruth uses her work to draw attention to the fragility of our constructed world and Night Time Dreams, created for Collect 2025, highlights the inadequacies and inequalities of our current housing system. 

The black crystals and gold leaf are a specific addition to her work for Collect 2025 and reflect her constant experimentation with materials to amplify her story through these beautiful and fragile sculptures. 

Presented on a sanded and waxed driftwood plinth, this exquisite hallmarked sterling silver bowl, just 70mm in diameter and 17mm high, showcases the pure craftsmanship of a master craftswoman.   

Part of an evolving series of work by Suzie Horan that combines the jewellers' skills of saw piercing, annealing, pickling, rippling, soldering and hand burnishing.  

Handcrafted in her Carmarthenshire studio, this beautiful bangle is from the stunning Crescent Collection, designed by Mari Thomas.  This large bangle has a  diameter of approx. 7.3 cm.

Handcrafted in her Carmarthenshire studio, this beautiful bangle is from the stunning Crescent Collection, designed by Mari Thomas. This medium bangle has a diameter of approx 6.7 cm.

Picking up the soft golden, creamy hues of natural linen this beautiful piece by Suzanna James is a response to the words of Louise Bourgeois: 'The Needle is Used to Repair Damage'. 

James' work is infused with an appreciation of the healing power of textiles - a recurring theme within her textile art which explores the capacity of a needle to repair specific damage to a piece of cloth or the communities in which the piece is made. 

In this hand dyed and embroidered piece, James interprets our curatorial theme for Collect 2025 by touching on deeper themes within our curation - the influence and impact of our industrial heritage on our landscape and communities and how the 'damage' can be redeemed through the hope that the needle and craft create. 

'In Response….' is one of a developing series of work by Suzanna James which can be commissioned by enquiring below. 

Sculptural form inspired by the coastal cliffs at Amroth, Pembrokeshire. 

Using hand dyed fabric with cotton silk and polyester threads this unique piece is created with hand and machine embroidery.