A ‘hand woven’ sculpture shaped by the heat of the kiln to bring the viewer inside the built environment. 

To create these delicate sculptures, Petersen weaves a metal ‘fabric’ dipped in a ceramic slip. The sculptural distortions result from the intense heat of firing, so that the pieces are always unique, unexpected and uncomfortable - confronting us with the fragility of our constructed world through sculptures of a rare and delicate beauty. 

Created for Collect 2025, Night Time Dreams is one of an ongoing series of sculptures created by Petersen to highlight the inadequacies and inequalities of our current housing system. 

With the addition of black crystals and gold highlights to meet our curatorial theme of Black and Gold, she extends that conversation to denote the mould that creeps across the surface of inadequate housing, but adds gold to reflect the hope for change. 

Etched and oxidised 0.9mm copper plate. 

Float mounted in a black box frame, without glass. 

Unique, hand made.

Care Instructions:

The surface of the copper plate can be dusted gently with a soft microfibre cloth

Shipping:

UK shipping is included in the price

For international shipping, please enquire by clicking Make an Enquiry on the Maker's home page 

A ceramic sculpture epitomising the simplicity of form and textural elements typical of Wendy Lawrence’s work.                  

The herringbone pattern is carved with hand tools to echo the striations found in rock and ancient stone edifices,  becoming part of the form as well as the surface of the piece. 

Inspired by ancient stone circles this piece generates a sense of solidity and continuity, connecting us with our heritage and spiritual landscape.

The works are high fired and are suitable for any interior or exterior spaces.

A ‘hand woven’ sculpture shaped by the heat of the kiln to bring the viewer inside the built environment. 

Petersen creates these delicate structures by weaving a stainless steel or metal mesh which she then dips into ceramic slip. The sculptural distortions created by the intense heat of firing, create pieces that are at once unexpected, beguiling and uncomfortable - confronting us with the fragility of our constructed world and issues of living on the edge of safety through sculptures with a rare and delicate beauty. 

Created for Collect 2025, ‘All in Vain’ is one of an ongoing series of sculptures created by Petersen to highlight the inadequacies and inequalities of our current housing system. 

With the addition of black crystals and gold highlights to meet our curatorial theme of Black and Gold, she extends that conversation to denote the mould that creeps across the surface of inadequate housing, but adds gold to reflect the hope for change. 

This piece is no longer for sale but, if you would like to commission a similar piece, please enquire below. 

A ‘hand woven’ sculpture shaped by the heat of the kiln to bring the viewer inside the built environment. 

Petersen 'builds' the internal structure to her work by weaving a metal fabric which she then dips into ceramic slip - the sculptural distortions created within the kiln as the metal reacts to the intense heat of firing.  

Ruth uses her work to draw attention to the fragility of our constructed world and Night Time Dreams, created for Collect 2025, highlights the inadequacies and inequalities of our current housing system. 

The black crystals and gold leaf are a specific addition to her work for Collect 2025 and reflect her constant experimentation with materials to amplify her story through these beautiful and fragile sculptures. 

Handcrafted in her Carmarthenshire studio, this beautiful bangle is from the stunning Crescent Collection, designed by Mari Thomas.  This large bangle has a  diameter of approx. 7.3 cm.

Handcrafted in her Carmarthenshire studio, this beautiful bangle is from the stunning Crescent Collection, designed by Mari Thomas. This medium bangle has a diameter of approx 6.7 cm.

Picking up the soft golden, creamy hues of natural linen this beautiful piece by Suzanna James is a response to the words of Louise Bourgeois: 'The Needle is Used to Repair Damage'. 

James' work is infused with an appreciation of the healing power of textiles - a recurring theme within her textile art which explores the capacity of a needle to repair specific damage to a piece of cloth or the communities in which the piece is made. 

In this hand dyed and embroidered piece, James interprets our curatorial theme for Collect 2025 by touching on deeper themes within our curation - the influence and impact of our industrial heritage on our landscape and communities and how the 'damage' can be redeemed through the hope that the needle and craft create. 

'In Response….' is one of a developing series of work by Suzanna James which can be commissioned by enquiring below.