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The sense of ancient rock and natural erosion that permeates this piece is typical of a Wendy Lawrence sculpture. She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture.
Over the years of me working with hot molten glass, I have found that I have wanted to create work that exaggerates its liquid qualities but in its solid state. I often use colour to assist in this exaggeration of its form to help show the movement of the glass and the flowing qualities of the glass.
I feel in contrast to this, by also cutting and highly polishing the surface it displays the cold qualities of the glass too. My main subject matter follows brain patterns and thought functions. The electricity of thought and the transference of information between pathways in the brain is what inspires me to create movement using molten glass.
A beautiful and ‘must have’ Suzanna James jumper designed to complement the qualities of this unique, traceable, organic Welsh Shetland wool sourced from Carmarthenshire.
A signature design from her ‘Adre’ collection, every Chloe jumper is knitted to order, taking up to three weeks to accommodate bespoke sizing and sleeve length, neckline and cable detail.
Shown here in a natural ‘ecru’, other bespoke colours are available from the range of natural plant dyes Suzanna sources from Carmarthenshire.
A traditional, yet timeless design, the Chloe jumper embodies the values of slow, ethical and sustainable fashion at the heart of Suzanna James’ design and practice.