Sound waves matching an object’s natural frequency can induce movement - exquisitely captured within this piece

Cup and ring marks are a form of prehistoric rock art, consisting of a central, cup-shaped hollow pecked into a stone surface, often surrounded by one or more concentric rings.

These carvings are among the most widespread and mysterious prehistoric symbols, appearing across Atlantic Europe (Scotland, Ireland, Northern England, Portugal, Spain) and in many other locations worldwide and are evoked by the marks made within the wood

A possible explanation of Neolithic cup and ring marks could be simply an interpretation of the patterns the life giving rain made on the earths surface. This Glen loves the way ripples spread across the entirety of a pond or lake - spreading a message and this piece refl;

This dramatic sculpture showcases Martin’s ability to create  a sense of movement and story - where has the hare come from, from whom is it running: what is it chasing, while capturing the strength and power of the hare in full flight at any given moment. 

This dramatic sculpture showcases Martin’s ability to create  a sense of movement and story - where has the hare come from, from whom is it running: what is it chasing, while capturing the strength and power of the hare in full flight at any given moment

One of a series of life size bronze sculptures, this piece epitomises Martin’s ambition to create work that engages the observer beyond the visual. 

Instantly engaged, the observer is drawn to the narrative     that lies behind the piece - what is she protecting and why is it secret - testament to the power of Martin’s storytelling.   

 Each piece is individually sculpted by Martin in his Carmarthenshire studio and cast in a British foundry. He’s involved in every part of the process which can take several months, but ensures the quality that Martin demands.

The values of classical figurative sculpture epitomised in this beautifully observed piece which creates a sense of serenity and stillness.

The third in a series of bronze works, this piece showcases Angela’s fascination with the inherent sensuality of the female form, every detail inspired by her understanding of the naked form.

This piece is made of two pieces from the same tree but conveys one shared message.