This piece epitomises the simplicity of form and carved elements that are a signature of Wendy’s work and her fascination with geological formations.

Clay is carved to create the ‘natural’ folds on the surface of this piece, while the volcanic like texture is achieved by adding clay to a clay foundation and then carving into the clay surface. The natural look is amplified by adding several layers of glaze imbued with silicon carbide. 

In the reference to the ancient standing stones of our ancestors. Connecting us with the standing stone of the ancients Brown colour?

The works are high fired and are suitable for any interior or exterior spaces. 

The second in a series of bronze sculptures this piece immediately draws the observer into the world of the  sculpted - pausing to wonder what has caused her to stir, what dream is she waking from.

Sculpted in her Carmarthenshire studio, this tactile and sensuous piece epitomises her use of flowing lines and textures to create a sensuous piece celebrating the inherent beauty of the female form.

This beautiful abstract sculpture inspired by the texture and form of rockface strata, showcases Wendy’s use of silicon carbide to create a surface texture that is part of the form itself. The carved surface exaggerates the natural erosion of the rock while the addition of oxides to the glaze creates this unusual colouring.

Inspired by the geology of the North Wales coastline, the unusual colours within this piece echo the tones of a rockface bleached by the elements over time - the coastal story continued through the coral like structure of the piece. 

The clay is hand built and gouged before being glazed multiple times. Between glazing's titanium oxide is brushed onto the surface to give the soft yellow and greys of this beautiful and unusual piece.

The intense greens within the surface texture amplify the multiple carvings of this unusual sculpture -one of a series of waved forms within this collection. 

  Inspired by the coastal rock formations near her home in North Wales, the piece bears the hallmarks of a Wendy Lawrence sculpture where the surface treatment becomes part of the form itself. 

The blisters and bubbles within the clay create a barnacled effect while the two tone colouring complements the simplicity of form. 

The gnarled effect and deceptive simplicity of this free standing piece captures the essence of the ancient forest, the wave form connecting us with something raw and fundamental.                                    

The blistered surface is coloured with copper oxide to exaggerate the carving and gouging, creating a piece that is at once contemporary and ancient.

The second in a series of ‘waved’ sculptures, this piece is                                                   evocative of the rock formations and geological phenomenon found on the North Wales coast.

The signature blisters and bubbles are created during firing by the addition of silicon carbide to the glaze, enhancing the natural look and texture of the sculpture. 

The works are high fired and are suitable for any interior or exterior spaces.

This small but exquisite study of a wren is typical of a Martin Duffy sculpture, showcasing his ability to create pieces that invite the observer to engage physically as well as visually with his work.