This exquisitely observed study of a mouse in its natural habitat, showcases the meticulous attention to detail which characterises Martin’s work. 

One of a series of small animal sculptures, this piece demonstrates Martin’s skill in creating detailed, tactile pieces that invite the observer to touch as well as look.

Peacock in Purple is created by blowing a plate of glass in our hot glass studio. Once cooled, Margaret etches, engraves and sandblasts through the different layers of colour to create a relief of her Peacock design.

This piece showcases Wendy’s fascination with erosion and its impact on geological formations. Hand building techniques are combined with carving to exaggerate the natural forms, creating a piece that is at once contemporary and ancient, using the natural texture of clay to connect the living with the past.

The works are high fired and are suitable for any interior or exterior spaces. 

In this naturalistic piece, Martin captures the stillness, poise and focus of the fox cub, showcasing his ability to create an energy and story behind the sculpture - that of the hunter and the hunted. 

Every detail is considered and beautifully observed - a hallmark of Martin’s work and his meticulous attention to detail in every stage of the sculpting process. 

In this naturalistic piece, Martin captures the stillness, poise and focus of the fox cub, showcasing his ability to create an energy and story behind the sculpture - that of the hunter and the hunted. 

Every detail is considered and beautifully observed - a hallmark of Martin’s work and his meticulous attention to detail in every stage of the sculpting process. 

One of a series of small figurative pieces, this arching form is typical of an Angela Farquharson sculpture where she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. 

One of a series of small figurative pieces, this arching  form is typical of an Angela Farquharson sculpture where  she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. She uses a natural unglazed finish to enhance the sensuality of the piece and draw out the inherent beauty within the female form.