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This beautiful study of a flower nymph combines the exceptional attention to detail characteristic of Martin’s work with his ability to create a story which invites the observer to pause and reflect.
Despite it’s scale the eye is drawn to the detail which makes the piece both intimate and powerful.
Martin’s fascination with movement and balance is perfectly captured in this limited edition piece, showcasing his use of fine detail and surface texture to elicit a sense of strength, power and control.
Cast in bronze, every detail is perfectly judged to enhance and amplify momentum within the sculpture, the quality of the casting creating shadow and light as on a moving body.
Each piece is individually sculpted by Martin in his Carmarthenshire studio before being cast in a British foundry to ensure that the detail and quality of the sculpting is retained through to the finished piece.
One of a series of life size bronze sculptures, this piece epitomises Martin’s ambition to create work that engages the observer beyond the visual.
Instantly engaged, the observer is drawn to the narrative that lies behind the piece - what is she protecting and why is it secret - testament to the power of Martin’s storytelling.
Each piece is individually sculpted by Martin in his Carmarthenshire studio and cast in a British foundry. He’s involved in every part of the process which can take several months, but ensures the quality that Martin demands.
One of a series of small animal sculptures which epitomise Martin’s skill in crafting a narrative behind his work, drawing the observer into a story told through detailed research, observation and exquisite sculpting.
Every detail is considered and purposeful, the craftsmanship key in creating a sense of peace and serenity.
Each piece is sculpted at his studio in Carmarthenshire before being finished/cast at a British foundry.
Also available as a desk or interior piece.
This piece epitomises the simplicity of form and carved elements that are a signature of Wendy’s work and her fascination with geological formations.
Clay is carved to create the ‘natural’ folds on the surface of this piece, while the volcanic like texture is achieved by adding clay to a clay foundation and then carving into the clay surface. The natural look is amplified by adding several layers of glaze imbued with silicon carbide.
In the reference to the ancient standing stones of our ancestors. Connecting us with the standing stone of the ancients Brown colour?
The works are high fired and are suitable for any interior or exterior spaces.