In this naturalistic piece, Martin captures the stillness, poise and focus of the fox cub, showcasing his ability to create an energy and story behind the sculpture - that of the hunter and the hunted. 

Every detail is considered and beautifully observed - a hallmark of Martin’s work and his meticulous attention to detail in every stage of the sculpting process. 

The gnarled effect and deceptive simplicity of this free standing piece captures the essence of the ancient forest, the wave form connecting us with something raw and fundamental.                                    

The blistered surface is coloured with copper oxide to exaggerate the carving and gouging, creating a piece that is at once contemporary and ancient.

Reminiscent of stone circles and historic obelisks, this piece reflects Wendy’s fascination with stone and its place in the landscape. The unusual colouring echoes the soft tones which emerge within stone as it reacts to the weathering of  time, the curving mark through the clay an additional focal point to draw the observer into the piece.

The intense greens within the surface texture amplify the multiple carvings of this unusual sculpture -one of a series of waved forms within this collection. 

  Inspired by the coastal rock formations near her home in North Wales, the piece bears the hallmarks of a Wendy Lawrence sculpture where the surface treatment becomes part of the form itself. 

The blisters and bubbles within the clay create a barnacled effect while the two tone colouring complements the simplicity of form. 

The sense of ancient rock and natural erosion that permeates this piece is typical of a Wendy Lawrence sculpture. She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

Inspired by the geology of the North Wales coastline, the unusual colours within this piece echo the tones of a rockface bleached by the elements over time - the coastal story continued through the coral like structure of the piece. 

The clay is hand built and gouged before being glazed multiple times. Between glazing's titanium oxide is brushed onto the surface to give the soft yellow and greys of this beautiful and unusual piece.

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture.  

This beautiful abstract sculpture inspired by the texture and form of rockface strata, showcases Wendy’s use of silicon carbide to create a surface texture that is part of the form itself. The carved surface exaggerates the natural erosion of the rock while the addition of oxides to the glaze creates this unusual colouring.