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A unique piece inspired by the statues of the ancient Roman gods.
Cast in iron resin, the piece is heavily textured to create the sense of age, while the detail is typical of Angela’s fascination with the beauty of the female form, its seductive quality captured in the hands sculpted around the hips.
A sculpture capturing the sense of holding something precious and fleeting lest it should be forgotten.
The graceful lines and elegance of expression in this beautiful study is typical of Angela’s work as she explores the inherent beauty and sensuality of the female form. Drawing on classical figurative sculpture, Angela incorporates a more modern style to create an emotive piece that invites the observer to pause and look beyond the surface.
“Beauty has awoken”
Combining the values of classical figurative sculpture with the storytelling power of the modern idiom, this beautifully observed piece creates a sense of calm and sanctuary.
The third in a series of bronze works, this piece showcases Angela’s fascination with the inherent sensuality of the female form, every detail inspired by her understanding of the naked form.
The second in a series of bronze sculptures this piece immediately draws the observer into the world of the sculpted - pausing to wonder what has caused her to stir, what dream is she waking from.
Sculpted in her Carmarthenshire studio, this tactile and sensuous piece epitomises her use of flowing lines and textures to create a sensuous piece celebrating the inherent beauty of the female form.
One of a series of three bronze works, this beautiful sculpture showcases the smooth, flowing lines and detail that Angela employs to depict the sensuality of the female form.
A figurative sculpture in the classic tradition, the piece captures the essence of the modern idiom with its power to draw the observer in.
Delight, bliss, elation - a sculpture beautifully capturing a sense of rapturous and sensuous delight - the fine detail and flowing lines typical of an Angela Farquharson sculpture.
One of a series of small figurative pieces, this arching form is typical of an Angela Farquharson sculpture where she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’.