The graceful lines and elegance of expression in this  beautiful study is typical of Angela’s work as she explores the inherent beauty and sensuality of the female form. Drawing on classical figurative sculpture, Angela incorporates a more modern style to create an emotive piece that invites the observer to pause and look beyond the surface. 

“Beauty has awoken” 

Combining the values of classical figurative sculpture with the storytelling power of the modern idiom, this beautifully observed piece creates a sense of calm and sanctuary.

The third in a series of bronze works, this piece showcases Angela’s fascination with the inherent sensuality of the female form, every detail inspired by her understanding of the naked form. 

The second in a series of bronze sculptures this piece immediately draws the observer into the world of the  sculpted - pausing to wonder what has caused her to stir, what dream is she waking from.

Sculpted in her Carmarthenshire studio, this tactile and sensuous piece epitomises her use of flowing lines and textures to create a sensuous piece celebrating the inherent beauty of the female form.

One of a series of three bronze works, this beautiful sculpture showcases the smooth, flowing lines and detail that Angela employs to depict the sensuality of the female form.
 

A figurative sculpture in the classic tradition, the piece captures the essence of the modern idiom with its power to draw the observer in.       

Delight, bliss, elation - a sculpture beautifully capturing a sense of rapturous and sensuous delight - the fine detail and flowing lines typical of an Angela Farquharson sculpture.  

One of a series of small figurative pieces, this arching form is typical of an Angela Farquharson sculpture where she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. 

A beautiful limited edition piece epitomising the movement and balance that Martin seeks to achieve in his sculptures. The attention to detail that hallmarks his work is critical here in establishing the relationship between the two hares - creating the sense of drama and  tension typical of a Martin Duffy sculpture.                                                                

At nearly a metre tall, the hares would be suitable for a large indoor space or an outdoor setting, as illustrated. 

This signature piece embodies Martin’s passion for creating sculptures that unite a beauty of form with power and drama, crafted from a lifelong study and fascination with the way in which the human body moves. 

Sculpted in his Carmarthenshire studio, every detail is effortlessly observed to create a sculpture that is both  visually stunning and engaging - drawing the observer to  consider the strength and balance of the human form.