This exquisitely observed study of a mouse in its natural habitat, showcases the meticulous attention to detail which characterises Martin’s work. 

One of a series of small animal sculptures, this piece demonstrates Martin’s skill in creating detailed, tactile pieces that invite the observer to touch as well as look.

In this naturalistic piece, Martin captures the stillness, poise and focus of the fox cub, showcasing his ability to create an energy and story behind the sculpture - that of the hunter and the hunted. 

Every detail is considered and beautifully observed - a hallmark of Martin’s work and his meticulous attention to detail in every stage of the sculpting process. 

This dramatic limited edition piece captures the  movement and balance typical of a Martin Duffy sculpture. 

The larger scale allows Martin to amplify the detail of his smaller pieces to recreate the tension, urgency and drama that lies behind this annual rite of passage.

A beautiful limited edition piece epitomising the movement and balance that Martin seeks to achieve in his sculptures. The attention to detail that hallmarks his work is critical here in establishing the relationship between the two hares - creating the sense of drama and  tension typical of a Martin Duffy sculpture.                                                                

At nearly a metre tall, the hares would be suitable for a large indoor space or an outdoor setting, as illustrated.

One of a series of small figurative pieces, this arching  form is typical of an Angela Farquharson sculpture where  she seeks to preserve the ‘norms’ of classical sculptural forms while making her work more emotive and ‘modern’. She uses a natural unglazed finish to enhance the sensuality of the piece and draw out the inherent beauty within the female form.

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces where  she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces  where she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.

One of a series of small scale sculptures depicting the female form, this piece is characteristic of Angela Farquharson’s work and her interest in classical figurative sculpture. The textile ‘detail’ is inspired by the shapes made as fabric drapes and folds across the body, creating new interest and sense of sensuality, enhanced by the natural unglazed porcelain finish.