A ceramic sculpture epitomising the simplicity of form and textural elements typical of Wendy Lawrence’s work.                  

The herringbone pattern is carved with hand tools to echo the striations found in rock and ancient stone edifices,  becoming part of the form as well as the surface of the piece. 

Inspired by ancient stone circles this piece generates a sense of solidity and continuity, connecting us with our heritage and spiritual landscape.

The works are high fired and are suitable for any interior or exterior spaces.

The second in a series of ‘waved’ sculptures, this piece is                                                   evocative of the rock formations and geological phenomenon found on the North Wales coast.

The signature blisters and bubbles are created during firing by the addition of silicon carbide to the glaze, enhancing the natural look and texture of the sculpture. 

The works are high fired and are suitable for any interior or exterior spaces.

As if hewn from the rock face, the colours in this carved slab echo those found in a shimmering rock face wet from a shower of rain. Copper and vanadium and titanium oxides create the unique combination of greens, pinks and browns in this unusual piece. Its natural organic look and feel is achieved through multiple glazing's containing silicon carbide, creating the   elemental, volcanic finish typical of a Wendy Lawrence sculpture.  

The works are high fired and are suitable for any interior or exterior spaces.

A unique piece inspired by the statues of the ancient Roman gods. 

Cast in iron resin, the piece is heavily textured to create the sense of age, while the detail is typical of Angela’s fascination with the beauty of the female form, its seductive quality captured in the hands sculpted around the hips. 

A sculpture capturing the sense of holding something precious and fleeting lest it should be forgotten.

The graceful lines and elegance of expression in this  beautiful study is typical of Angela’s work as she explores the inherent beauty and sensuality of the female form. Drawing on classical figurative sculpture, Angela incorporates a more modern style to create an emotive piece that invites the observer to pause and look beyond the surface. 

“Beauty has awoken” 

Combining the values of classical figurative sculpture with the storytelling power of the modern idiom, this beautifully observed piece creates a sense of calm and sanctuary.

The third in a series of bronze works, this piece showcases Angela’s fascination with the inherent sensuality of the female form, every detail inspired by her understanding of the naked form. 

The second in a series of bronze sculptures this piece immediately draws the observer into the world of the  sculpted - pausing to wonder what has caused her to stir, what dream is she waking from.

Sculpted in her Carmarthenshire studio, this tactile and sensuous piece epitomises her use of flowing lines and textures to create a sensuous piece celebrating the inherent beauty of the female form.