This sculpture, with its flowing lines, captures the essence of something being held close, protected, a face hidden by the wind as it sweeps through her hair,  giving a sense of freedom to this classical pose.  

A sculpture that beautifully captures a sense of rapturous and sensuous delight - the fine detail and flowing lines typical of an Angela Farquharson sculpture.  

A beautiful limited edition piece epitomising the movement and balance that Martin seeks to achieve in his sculptures. The attention to detail that hallmarks his work is critical here in establishing the relationship between the two hares - creating the sense of drama and  tension typical of a Martin Duffy sculpture.                                                                

At nearly a metre tall, the hares would be suitable for a large indoor space or an outdoor setting, as illustrated.

Sculptural form inspired by the coastal cliffs at Amroth, Pembrokeshire. 

Using hand dyed fabric with cotton silk and polyester threads this unique piece is created with hand and machine embroidery.

A ceramic sculpture epitomising the simplicity of form and textural elements typical of Wendy Lawrence’s work.                  

The herringbone pattern is carved with hand tools to echo the striations found in rock and ancient stone edifices,  becoming part of the form as well as the surface of the piece. 

Inspired by ancient stone circles this piece generates a sense of solidity and continuity, connecting us with our heritage and spiritual landscape.

The works are high fired and are suitable for any interior or exterior spaces.

This dramatic sculpture showcases Martin’s ability to create  a sense of movement and story - where has the hare come from, from whom is it running: what is it chasing, while capturing the strength and power of the hare in full flight at any given moment. 

In this naturalistic piece, Martin captures the stillness, poise and focus of the fox cub, showcasing his ability to create an energy and story behind the sculpture - that of the hunter and the hunted. 

Every detail is considered and beautifully observed - a hallmark of Martin’s work and his meticulous attention to detail in every stage of the sculpting process. 

Reminiscent of stone circles and historic obelisks, this piece reflects Wendy’s fascination with stone and its place in the landscape. The unusual colouring echoes the soft tones which emerge within stone as it reacts to the weathering of  time, the curving mark through the clay an additional focal point to draw the observer into the piece.